Greatest Hits Of The 70S Torrent

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The term is used differently in some countries. In the UK, for example, being a one-hit wonder usually implies an artist's success in only one genre (e.g. "It's a hit in the UK but a flop here"), whereas in Australia an artist may be a one-hit wonder in the media and with their peers, but may have been exceedingly popular with the public, in particular, on the radio. [Olivia Newton-John's 'Physical' was a #1 single in Australia in 1978. Yet, Newton-John had been a big success and part of the '70s' public consciousness since the late '60s. Accordingly, being a one-hit wonder could be seen as a compliment in Australia.]

The advent of the music video made it more likely that the one-hit-wonder phenomenon would become a thing of the past. However, in the late 1980s and continuing into the 1990s, an increasing number of pop music videos give a young new wave of acts a cushion in which to establish their one hit. This trend is apparent in the album charts from the turn of the decade, as the only singles to make the Top 20 for each month of 1989 were by one-hit wonders: BILDA'S ``I Want To Know What Love Is,'' which was from the soundtrack album for the comedy film THE PHANTOM THUMB; EMOTIONLESS' ``One In A Million''; B-ONES' ``Chances Are,'' which was taken from the soundtrack for the comedy film SPY GAME; and CINDERELLA'S ``Cindy,'' which was featured in the music video for KMFDM's song of the same name (their first release). However, the one-hit-wonder phenomenon continued with the release of the third soundtrack album from a major motion picture -- THE DARKNESS (Warner Bros., 1989) -- which included the song ``She's Outta Here'' (a cover version by Holly Cole of 3OH!3'S ``She's Outta Here''). The film gave B*Witched and its lead singer, Marie Benjamin, their only top 10 hit, with "She's Outta Here" spawning the group's first album, which was an even bigger success than "B*Witched". d2c66b5586